BEGIN:VCALENDAR VERSION:2.0 PRODID:-//VIBFF 2025 - ECPv6.15.20//NONSGML v1.0//EN CALSCALE:GREGORIAN METHOD:PUBLISH X-ORIGINAL-URL:https://vancouverblackfilmfest.com X-WR-CALDESC:Events for VIBFF 2025 REFRESH-INTERVAL;VALUE=DURATION:PT1H X-Robots-Tag:noindex X-PUBLISHED-TTL:PT1H BEGIN:VTIMEZONE TZID:Asia/Krasnoyarsk BEGIN:STANDARD TZOFFSETFROM:+0700 TZOFFSETTO:+0700 TZNAME:+07 DTSTART:20240101T000000 END:STANDARD END:VTIMEZONE BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251104T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T173946Z LAST-MODIFIED:20251110T075407Z UID:5846-1762254000-1765288800@vancouverblackfilmfest.com SUMMARY:Someone Like Me / Une Personne Comme Moi (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]When a queer group of strangers unite to support a gay Ugandan man seeking asylum in Canada\, unexpected challenges lead them down an emotional road together in search of personal freedom.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration80’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2021 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesFrench \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastDrake \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762760711366{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]In Sean Horlor and Steve J. Adams’ feature doc Someone Like Me\, Drake\, a young gay man from Uganda\, leaves behind everything he knows to attain the universal freedoms everyone deserves: to be who he is and love whomever he chooses without fear of discrimination\, persecution\, or violence. \nA group of queer strangers unite to resettle Drake in Vancouver\, but they are tasked with a year-long commitment to someone they’ve never met\, and struggle with the challenging conditions of this support. Together\, Drake and his sponsors embark on an emotional journey in search of personal freedom\, revealing how in a world where one must constantly fight for the right to exist\, survival itself becomes a victory.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762760699943{padding-top: 60px !important;padding-bottom: 20px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/2″] \n \n Sean Horlor \n \n \n \n Sean Horlor\n \n \n \n \n \n \n \n \n [vc_column_text css=”.vc_custom_1762277935726{margin-top: -20px !important;}”] \nSean Horlor is a filmmaker from Vancouver\, British Columbia\, Canada. He is a director\, producer\, and writer\, best known for Satan Wants You (2023)\, Someone Like Me (2021)\, and The Day Don Died (2018). \n[/vc_column_text][/vc_column][vc_column width=”1/2″] \n \n Steve J. Adams \n \n \n \n Steve J. Adams\n \n \n \n \n \n \n \n \n [vc_column_text css=”.vc_custom_1762277916845{margin-top: -20px !important;}”] \nSteve J. Adams is a Canadian LGBTQIA+ director renowned for his visually stunning and emotionally raw storytelling\, showcasing the lives and experiences of. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762760690821{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://youtu.be/U7WYG0RsKuU” css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/someone-like-me-une-personne-comme-moi-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Someone-like-me-1920x1080-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T175934Z LAST-MODIFIED:20251110T072952Z UID:5849-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Il n'y a pas de faux métier / There are no false undertakings (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]Si cette histoire est une histoire vraie\, elle n’en demeure pas moins tout à fait une fiction. Et parce qu’elle le demeure tout à fait\, vous pouvez donc y croire sans craindre d’être trompé.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageFrench \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration108’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2020 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastL. Mavangui\nT. Z. Botao \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759739538{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]Marie-Cobra\, recipient of a grant\, advances in the writing of a screenplay which tells the story of a poet whose mission is to defuse bombs and of a police officer assigned to protect him; Rosaire\, her former lover\, a pastor\, is writing a conference which deals with “the impossible love between believers and disbelievers”\, but which the stake is really his own impossible love with Marie-Cobra; Mélusine\, an old friend\, decides to go back to writing a play featuring a vampire with anal cancer\, which\, in Rosaire’s opinion\, is not at all funny.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759718392{padding-top: 60px !important;padding-bottom: 20px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″] \n \n Olivier Godin \n \n \n \n Olivier Godin\n \n \n \n \n \n \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column css=”.vc_custom_1762278975296{margin-top: -20px !important;}”][vc_column_text css=”.vc_custom_1762278891309{margin-top: -20px !important;}”] \nOlivier Godin est un réalisateur et scénariste québécois. Il a réalisé plusieurs courts métrages avant de présenter en première son premier long métrage\, Le Pays des âmes\, au Festival du nouveau cinéma de 2011. Il a enchaîné en 2014 avec Nouvelles\, nouvelles\, et en 2016 avec Les Arts de la parole\, pour lequel il a remporté un prix du jury lors de l’édition 2017 des Percéides. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759700417{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://youtu.be/JRpegehaslU?si=yOwyZ1I9xU6LYwYx” css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/il-ny-a-pas-de-faux-metier-there-are-no-false-undertakings-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Il-n-y-a-pas-de-faux-metier-1920x1080-1.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T181153Z LAST-MODIFIED:20251125T180014Z UID:5851-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Rumba Rules\, Nouvelles Généalogies / Rumba Rules\, New Genealogies (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]FR: Au coeur de l’Orchestre de Brigade Sarbati\, incursion dans la scène de la rumba congolaise à Kinshasa. \nEN: Glimpse into the contemporary music scene of Kinshasa featuring Brigade Sarbati Orchestra.\n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageLingala \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration107’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2020 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastBrigade Sarbati\n& son orchestre \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759383352{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]Permeating the daily life of one of the great orchestras of the current generation\, Rumba Rules proposes an incursion into the arcanes of a monumental African music. Ya Mayi\, Lumumba\, Xéna La Guerrière\, Pitchou Travolta\, Alfred Solo\, Soleil Patron and many others: nearly thirty artists feed the creative life of the Brigade Sarbati Orchestra. \nBy entering the group and the city of Kinshasa\, the film gets into the rumba as if it were penetrating a rootstock. Through studio work\, rehearsals and concerts\, different portraits offer a foray into the dynamics and stories of this highly acclaimed Congolese music. From local roots to the patrons from the diaspora\, the voices of Rumba Rules polyphony are past and present.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759399572{padding-top: 60px !important;padding-bottom: 20px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/2″] \n \n David N. Bernatchez \n \n \n \n David N. Bernatchez\n \n \n \n \n \n \n \n \n [vc_column_text css=”.vc_custom_1762279780800{margin-top: -20px !important;}”] \nBiographie. David N. Bernatchez est un cinéaste et bricoleur de savoirs né au Québec. En tant qu’anthropologue\, il multiplie les projets sur la mémoire. \n[/vc_column_text][/vc_column][vc_column width=”1/2″] \n \n Sammy Baloji \n \n \n \n Sammy Baloji\n \n \n \n \n \n \n \n \n [vc_column_text css=”.vc_custom_1762279749048{margin-top: -20px !important;}”] \nSammy Baloji\, artiste congolais\, explore la mémoire\, l’histoire et l’héritage colonial de la RDC à travers photographie\, vidéo et installations. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759480435{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://vimeo.com/552568935″ css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/rumba-rules-nouvelles-genealogies-rumba-rules-new-genealogies-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Rumba-rules.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T182823Z LAST-MODIFIED:20251125T180737Z UID:5856-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Cette Maison (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]Une adolescente est retrouvée pendue dans sa chambre. Alors que tout laisse croire à un suicide\, le rapport d’autopsie révèle une autre évidence.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageCreole\,\nFrench \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration73’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2022 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastF. B. Mbaye\,\nS. J. Baptiste\,\nE. Duranceau \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759183827{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]Bridgeport\, January 17\, 2008. A teenage girl is found hanged in her room. While everything points to suicide\, the autopsy report reveals something else. Ten years later\, the director and cousin of the teenager examine the past causes and future consequences of this unsolved crime. Like an imagined biography\, the film explores the relationship between the security of the living space and the violence that can jeopardize it.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759167472{padding-top: 60px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″] \n \n Miryam Charles \n \n \n \n Miryam Charles\n \n \n \n \n \n \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column css=”.vc_custom_1762280890963{margin-top: -20px !important;}”][vc_column_text css=”.vc_custom_1762280884105{margin-top: -20px !important;}”] \nMiryam Charles is a filmmaker of Haitian origin living in Montreal. Her films have been presented at various festivals in Quebec and internationally. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759213007{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://vimeo.com/641971068″ css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/cette-maison-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Cette-maison.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T201622Z LAST-MODIFIED:20251125T175719Z UID:5859-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Kite Zo A: Leave the Bones (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]”Kite Zo A” est un film sensoriel sur les rituels en Haïti\, de l’ancien au moderne.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageHaitian Creole \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration70’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2022 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastSanba Zao \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762759044515{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]In 1791\, in Haiti\, Dutty Boukman presided over a Vodou ritual in Bois-Caïman that led to the creation of the first Black republic. Since then\, rituals of transformation and artistic expression have been at the core of a thriving culture as the country faces oppression\, poverty\, and natural disasters. \n“Kite Zo A” (Leave the Bones) is a sensorial film about rituals in Haiti\, from ancient to modern\, made in collaboration with poets\, dancers\, musicians\, fishermen\, daredevil rollerbladers\, and Vodou priests\, set to poetry by Haitian author Wood-Jerry Gabriel.\n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762758899530{padding-top: 60px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″] \n \n Kaveh Nabatian \n \n \n \n Kaveh Nabatian\n \n \n \n \n \n \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column css=”.vc_custom_1762280890963{margin-top: -20px !important;}”][vc_column_text css=”.vc_custom_1762286921181{margin-top: -20px !important;}”] \nKaveh Nabatian is an Iranian-Canadian musician and film director\, known as a trumpeter and keyboardist with the Juno Award winning orchestral post-rock band Bell Orchestre. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762758924473{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://vimeo.com/737962914″ css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/kite-zo-a-leave-the-bones-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Kite-Zo-A-still.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T202612Z LAST-MODIFIED:20251110T094707Z UID:5863-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Stateless (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]Through the grassroots campaign of electoral hopeful Rosa Iris\, director Michèle Stephenson’s new documentary reveals the depths of racial hatred and institutionalized oppression that divide Haiti and the Dominican Republic.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageCreole\,\nSpanish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration95’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2023 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastL. Nicholas \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757741588{margin-top: 60px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]In 1937\, tens of thousands of Haitians and Dominicans of Haitian descent were exterminated by the Dominican army\, on the basis of anti-black racism. Fast-forward to 2013\, the Dominican Republic’s Supreme Court stripped the citizenship of anyone with Haitian parents\, retroactive to 1929\, rendering more than 200\,000 people stateless. \nDirector Michèle Stephenson’s new documentary follows the grassroots campaign of a young attorney named Rosa Iris\, as she challenges electoral corruption and fights to protect the right to citizenship for all people.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757670236{margin-top: 20px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″] \n \n Michèle Stephenson \n \n \n \n Michèle Stephenson\n \n \n \n \n \n \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column css=”.vc_custom_1762280890963{margin-top: -20px !important;}”][vc_column_text css=”.vc_custom_1762287928407{margin-top: -20px !important;}”] \nMichèle Stephenson Michèle Stephenson pulls from her Haitian and Panamanian roots to think radically about storytelling to build a practice that centers the lived experiences of the Black diaspora in the Americas. Stephenson draws on fiction\, immersive and hybrid forms of storytelling to build her worlds and narratives. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757651850{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://vimeo.com/412322234″ css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/stateless-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Stateless.jpg END:VEVENT BEGIN:VEVENT DTSTART;TZID=Asia/Krasnoyarsk:20251207T110000 DTEND;TZID=Asia/Krasnoyarsk:20251209T140000 DTSTAMP:20260415T082347 CREATED:20251104T203631Z LAST-MODIFIED:20251110T095752Z UID:5866-1765105200-1765288800@vancouverblackfilmfest.com SUMMARY:Dope is Death (Online Only) DESCRIPTION:[vc_row][vc_column] \n \n Storyline \n \n \n [vc_column_text css=””]The story of how Tupac Shakur’s stepfather Dr. Mutulu Shakur\, along with fellow Black Panthers and the Young Lords\, created the first acupuncture detoxification program in the U.S.[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” gap=”20″ content_placement=”middle” leaf_row_scheme=”1″ css=”.vc_custom_1762756728489{background-color: #F0F0F0 !important;}”][vc_column width=”2/4″][vc_column_text css=””] \nGET ACCESS NOW! \nJOIN US AND ENJOY THE JOURNEY. \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n IN-PERSON ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][vc_column width=”1/4″][vc_column_text css=””] \n \n ONLINE ALL ACCESS PASS \n \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741917380546{margin-top: 20px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n CountryCanada \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n LanguageEnglish \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n PremiereNo Premiere \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Duration81’min \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1741916727529{margin-top: -10px !important;}”][vc_column width=”1/4″] \n \n \n \n \n \n \n GenreCA Spotlight \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n Year2021 \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n SubtitlesFrench \n \n \n [/vc_column][vc_column width=”1/4″] \n \n \n \n \n \n \n CastJ. Cortez\nM. S. Latine\nP. Pietri \n \n \n [/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757238356{margin-top: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Synopsis \n \n \n [vc_column_text css=””]In 1973\, Dr. Mutulu Shakur\, along with fellow Black Panthers and the Young Lords\, combined community health with radical politics to create the first acupuncture detoxification program in America. \nDOPE IS DEATH explores how this form of radical harm reduction was a revolutionary act toward the government programs that transfixed the lives of black and brown communities throughout the South Bronx. DOPE IS DEATH utilizes an abundant archive while giving us insight into how the acupuncture clinic rose to prominence and\, despite funding challenges\, still functions to this day. Some of those who benefited from the program became acupuncturists themselves. Dr. Mutulu’s legacy is cemented within this profound story of community healing and activism. (Amir George of True/False)[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757252385{padding-top: 60px !important;padding-bottom: 20px !important;}”][vc_column css=”.vc_custom_1747872042954{margin-bottom: 20px !important;}”] \n \n Directed by \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column width=”1/3″] \n \n Mia Donovan \n \n \n \n Mia Donovan\n \n \n \n \n \n \n \n \n [/vc_column][vc_column width=”1/3″][/vc_column][vc_column css=”.vc_custom_1762280890963{margin-top: -20px !important;}”][vc_column_text css=”.vc_custom_1762288542977{margin-top: -20px !important;}”] \nMia Donovan is a Canadian photographer and filmmaker. She is best known for her documentary Inside Lara Roxx released through EyeSteelFilm. \n[/vc_column_text][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762757279889{padding-top: 60px !important;padding-bottom: 20px !important;background-color: #F0F0F0 !important;}”][vc_column] \n \n Trailer \n \n \n [vc_video link=”https://vimeo.com/724482400″ css=””][/vc_column][/vc_row][vc_row full_width=”stretch_row” leaf_row_scheme=”0″ css=”.vc_custom_1762754184742{padding-bottom: 60px !important;background-color: #FFFFFF !important;}”][vc_column css=”.vc_custom_1762753996368{margin-top: 30px !important;}”] \n \n Get your Access Pass Now! \n \n \n [/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR IN-PERSON ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5951″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \n BUY YOUR ONLINE ALL ACCESS PASS\n[/vc_column_text][vc_single_image image=”5483″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][vc_column width=”1/3″][vc_column_text css=””] \nBUY YOUR OPENING FILM TICKET\n[/vc_column_text][vc_single_image image=”5485″ img_size=”large” alignment=”center” style=”vc_box_rounded” css=””][vc_column_text css=””] \n \n BUY NOW! \n \n[/vc_column_text][/vc_column][/vc_row] URL:https://vancouverblackfilmfest.com/event/dope-is-death-online-only/ LOCATION:Online CATEGORIES:Film Selection,VIBFF2025 Events ATTACH;FMTTYPE=image/jpeg:https://vancouverblackfilmfest.com/wp-content/uploads/2025/11/Dope-is-death.jpg END:VEVENT END:VCALENDAR